Back in February I went to see Billy Bragg (@billybragg) play at an event organised by The People’s Assembly (@pplsassembly) against the Coalition governments austerity policies. The event on the whole was amazing, Billy was awesome as ever, The Farm (@TheFarm_Peter) did a guest spot, a fantastic local Manchester band (the name escapes me, if you know it please let me know and I’ll ammend) opened the show and I discovered an artist who has fast become one of my favourites.
Her name is Grace Petrie (@gracepetrie) and she plays a politically fulled folk punk style (check out her website here). Her set in the night blew us away and the next day I ordered a CD of hers entitled “Mark my words” which has rarely left the CD player of my car since. The whole family love it, to the extent that while most 2 year olds walk around singing “Twinkle Twinkle” or “Let it go” mine sings “The revolution will not be televised” and “Emily Davison Blues“! Mark my words is a phenomenal album, and I’d suggest everyone give it a listen and purchase a copy.
A few weeks later we ordered “Tell me a story” which is another superb album, and the song “Farewell to welfare” contains some of the most mature and poignant lines I’ve ever heard in any song. Which is quite amazing considering Grace must only have been in her early 20s when it was written.
This weekend an eagerly awaited package fell through the door. It contained “Whatever’s left” – Grace’s brand new album, and one she promised was her most political yet. It is a stark commentary on the life of a young person in Coalition Britain and certainly suggests a worrying future now the Tories have everything their own way.
This is possibly the strongest in “You pay peanuts you get monkeys“, which includes the refrain “you pay peanuts you get monkeys you pay nothing you get nowt.” And such lines as: “workers of the world stand up and leave them in no doubt, a living wage for workers or we’ll vote you bastards out.”
The song “Revolutionary in the Wrong Time” alludes to the decline in workers rights we’ve seen and how toothless we are to protect what little we have left – “I heard a rumour there was power in the Unions but that was yesterday.” And that was written before the tories started their new attacks.
The title song “Whatever’s left” encapsulates Grace’s anger at what has gone and is perhaps summed up best with the line “It’s like a bad dream, when I see the mess that the bastards made of the NHS”.
As with the other two albums, it’s not all political songs, and “Ivy” written about her new born nice is an amazing ode to family and love.
As with the other 2 Grace Petrie albums I own, I cannot fault a single song. The album is fantastic from start to finish – and in my opinion even better than its predecessors. If you’ve never listen to Grace, I urge you to do so. She’s a phenomenal talent, with an inspirational world view who’s doing it herself, without a label of any sort, in true punk style.